As people fled cities, black people stayed in neighborhoods like Sugar Hill during the postwar era.” But we lived there too, and those who lived there weren’t all impoverished. “We walk through a neighborhood and see white people there and think we could never afford it. “A lot of Sugar Hill has been landmarked and as architecture gets more expensive you realize black people did live there and what that must have meant in terms of the life that was part of that architecture,” said Reddick, a Harlem resident. Such a viewpoint is reflected in the Museum’s current exhibition “People, Places, and Things: Selections from The Studio Museum” which includes depictions of everyday life in communities throughout the U.S., including Harlem Developed by Broadway Housing Communities and designed by esteemed architect David Adjaye, the innovative building aims to make its mark within the historic neighborhood.įor Columbia University Community Scholar and historian, John Reddick, the Museum has a prime opportunity to reflect the significant role African-Americans played in establishing the neighborhood as a cultural force. The Museum is housed within Sugar Hill Project, a mixed-use site that also includes affordable housing units and a preschool. This past October announced the arrival of a new neighbor in the area, the Sugar Hill Children’s Museum of Art & Storytelling. Many gravitated to the community for its location offering sweeping views of upper Manhattan, revered architecture and socially conscious creative community. The area was once home to the likes of Duke Ellington, Zora Neale Hurston and Thurgood Marshall. The Sugar Hill neighborhood of Harlem has a much-lauded history, perhaps most notable for the central role it played during the Harlem Renaissance of the 1920s and 1930s.
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